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Patricia Stitson's curator insight,
September 9, 2015 4:00 PM
In digital learning we often overlook opportunities to add 'ambient' sound to enhance the user experience - framing information in a story that is engaging as well as educational.
Henrik Safegaard - Cloneartist's curator insight,
September 11, 2015 2:59 AM
“Storytelling is the most powerful way to put ideas into the world today.” —Robert McKee
Clare O'Leary's curator insight,
July 2, 2015 7:45 PM
I am the same sea you are of...the oceans meet throughout the world and connect us globally...it shifts and changes as the wind and is constant.
Jeni Mawter's curator insight,
July 3, 2015 3:06 AM
Children's and Young Adult storytellers should always think of what interaction brings to the story and the balance of control between reader and author.
Daniel Calabuig's curator insight,
August 5, 2015 1:58 PM
Alastair Reid :"Interactive media lecturer Sandra Gaudenzi shared her theory of balancing audience agency with authorship at the CIJ Summer Conference today, and gave examples of stories across the spectrum" ...
WEBOXIDE _____________________________ Rahul Gupta's curator insight,
June 12, 2015 11:15 AM
Tackling social concerns using AR
Jeni Mawter's curator insight,
March 21, 2015 9:19 PM
What the ABC is doing today will be of interest to all storytellers of tomorrow.
David Collet's curator insight,
November 24, 2014 8:50 PM
This is a new technology that is just getting started. Huge start-up costs. But... it is an opportunity for a creative young person to be in position to carve a niche for themselves.
Henrik Safegaard - Cloneartist's curator insight,
May 19, 2014 2:45 AM
There’s an old saying that holds “what the hand does, the mind tends to remember”–and that’s certainly true when it comes to web usage. Click to read the article and get some tips. |
Vivalist's curator insight,
December 25, 2015 4:53 PM
"Aardman’s animation, though, had to look good from several different possible camera angles. It couldn’t be linear, and it had to progress at the viewer’s pace. In Special Delivery, some vignettes only begin when you look closely at them, and major story events will wait until you’re paying attention. Instead of a screen, the team had to imagine something more like a stage. They even built a circular cardboard "set" as a storyboard, blocking out the movement of their characters in physical space. "You’re giving away the camera to the audience, which is a bit nerve-wracking," says director Tim Ruffle. "After a while, you kind of get the idea that you’re trying to create an experience for people, rather than creating a show." That’s a sentiment that’s heard more and more often, from directors exploring the nascent field of virtual reality video." The article mentions the VR limitations and its differences with 360° casual immersion. It also meditates on the line being blurred between motion pictures and video game. UPDATE: another article on the topic
Henrik Safegaard - Cloneartist's curator insight,
July 13, 2014 11:29 AM
Great idea. I would love to go there - |
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