Gender and art
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Gender and art
On women artists, feminist art and gender issues in art (for related news items see also scoop 'ART AND GENDER')
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Eleanor Antin show at the ICA explores identity - The Boston Globe

Eleanor Antin show at the ICA explores identity - The Boston Globe | Gender and art | Scoop.it

Eleanor Antin’s “The Adventures of a Nurse,” from 1976.

 

"Eleanor Antin likes to quote Walt Whitman. “I contain multitudes,” she says more than once in an interview in the catalog for “Multiple Occupancy: Eleanor Antin’s Selves,” a sometimes piercing, often campy exhibition at the Institute of Contemporary Art.

 

The show, organized by Columbia University’s Miriam and Ira D. Wallach Art Gallery and curated by Emily Liebert, examines several characters the conceptual artist created and portrayed between 1972 and 1991, in video, film, photography, and performance. The impetus to invent characters came in part from her post-modern, feminist awareness of how our identities bind us. “I consider the usual aids to self-definition - sex, age, talent, time, and space - as tyrannical limitations upon my freedom of choice,” she wrote in 1974."

 

Multiple Occupancy: Eleanor Antin’s Selves

March 19 - July 6, 2014

Institute of Contemporary Art (ICA), Boston

http://www.icaboston.org/exhibitions/onview/

 

 

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Multiple Occupancy: Eleanor Antin's "Selves" - The Miriam and Ira D. Wallach Art Gallery

Multiple Occupancy: Eleanor Antin's "Selves" - The Miriam and Ira D. Wallach Art Gallery | Gender and art | Scoop.it

Eleanor Antin, born in New York City in 1935, is an influential artist and writer. A pioneer of performance, photography, film, video, installation and Conceptual art, her humorous and often tragic works are grounded in narratives that engage history, identity and feminism. This exhibition will, for the first time, focus on the videos, photographic series, drawings and installations that express the "selves" she created and embodied between 1972 and 1991. These personae include a king, ballerinas, nurses and a film director. Although decades have passed since Antin invented these characters, the issues this work engages—destabilized identity, fictionalized history, transformation and archival slippage—reverberate in art of the present day.

 

Multiple Occupancy: Eleanor Antin's "Selves"

Miriam and Ira D. Wallach Art Gallery, New York

September 4–December 7, 2013

http://www.columbia.edu/cu/wallach/

 

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